Free PDF Whisper Not: The Autobiography of Benny Golson

Free PDF Whisper Not: The Autobiography of Benny Golson

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Whisper Not: The Autobiography of Benny Golson

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About the Author

Benny Golsonis an NEA Jazz Master, composer, arranger, and saxophonist. After helping Art Blakey revamp his regime with the Jazz Messengers, he co-founded Jazztet with trumpeter Art Farmer. He has composed not only jazz standards, including “Killer Joe” and “Along Came Betty,” but also music for films and television, including It Takes a Thiefand M*A*S*H. Jim Merod has recorded a veritable "who's who" of jazz greats under his BluePort Jazz label. He is a Professor of Literature and Humanities at Soka University, who has also taught at Cornell, Brown, Brandeis, Stanford, and UCLA. He is the author of The Political Responsibility of the Critic and the editor ofJazz as a Cultural Archive, a special issue of the journal boundary 2.

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Product details

Hardcover: 328 pages

Publisher: Temple University Press; 1 edition (June 10, 2016)

Language: English

ISBN-10: 1439913331

ISBN-13: 978-1439913338

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#867,584 in Books (See Top 100 in Books)

This is a long awaited book by one of the most lucid members of the golden generation of musicians who came up in the post-war boom in Jazz. Benny speaks with warmth, frankness and humor about Earl Bostic, John Coltrane, Philly Joe Jones, Tadd Damerom, Miles Davis, Art Blakey, Curtis Fuller and many others as well as his own enormous contribution to music. A few odd slips of memory are harmless and don't interfere with Benny's great though flow and memories of so many people and events in what was arguably one of the most important eras of Jazz Music.

An in-depth and personal exploration of a great musicians life and connections with Humanity.A wonderful chronicling of his many contacts with stars of jazz and the music world and Beyond. A man devoted to his faith, family, and his craft to achieve excellence by giving his best. Benny is an inspiration to lead a worthwhile life.

A long awaited book that any composer should enjoy! Benny's autobiography is highly inspirational; with a lot of life lessons. I've read many autobiographies by composers, and this one right here.........TOPS!!!!

Fascinating, well-written saga-autobiograhphy of the life tenor-sax-composer-Jazz Master Benny Golson. Born and brought up in Philadelphia, Benny meets John Coltrane who has just arrived in Philly from North Carolina, and they hold practice jam sessions at Benny's, supported by his single-mom's love for jazz. Notable for stories of how Benny composed "Stablemates, I Remember Cliffortd" as well as "Whisper Not" -- Benny also comments on his peers, including today's young musicians. Highly Recommended

What a Great Artist! If you love Jazz History and Classic Jazz this is for you!

I got it for my husband's birthday and he loved it.

Avery good biography about a nice and honest musician

A great book very entertaining to read about someone who played such an important part in a great era of creativity in the world of Modern Jazz.

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Get Free Ebook The Guide To MIDI Orchestration

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The Guide To MIDI Orchestration

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Product details

Hardcover: 703 pages

Publisher: Musicworks; 3 edition (August 1, 2004)

Language: English

ISBN-10: 0964670534

ISBN-13: 978-0964670532

Product Dimensions:

5.8 x 1.5 x 9.8 inches

Shipping Weight: 5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#2,990,780 in Books (See Top 100 in Books)

This is an excellent book and compulsory reading for anyone, at any level, who wants to compose, arrange and produce big orchestral scores for TV, movies, or is just generally interested in the subject matter. The author is highly knowledgeable and experienced, as a musician as well as a composer and orchestrator, and it is obvious that he knows well what he is talking about when he describes in detail the various characteristics of orchestral instruments. Creating a beautiful and naturally sounding instrumentation is no easy feat (I am talking from experience) and knowing what the "real thing" sounds like, and understanding physical limitations of real instruments, is essential. One area I would like to see covered in more detail, whether in a fourth edition or in the upcoming "user area" on the author's website ([...]) is a more indepth coverage of Sibelius 5. Sibelius 5 now also supports virtual instruments which makes it an absolute killer (in my personal opinion) in combination with high end libraries such as Eastwest's Symphonic Orchestra.Note for readers of this review: the forementioned "user area" (expected to be up sometime in May according to the web site) will provide updates on the material covered in the book. This should alleviate some of the concerns of other reviewers to the effect that the information on MIDI orchestra and the various libaries available, is quickly outdated.

Quality better than i expected for being a used item, can bearly tell it was used. I had no idea it weighed so much for a hardcover - 5 lbs.

This is an excellent book book in many ways, and a bit weak in others. On the excellent side, this book provides documented recognition for one of the growing facts of composition: no matter whether we compose punk or "classical" music, most of us have become adept at creating increasingly realistic mock-ups (and occasionally finished products) based on the computer-based sequences that we use. I became hooked on this manner of orchestrating a few years ago when Finale began to include some Garritan samples with their new upgrades. Suddenly the little General MIDI CDs of my latest scores sounded much better when I showed up for my composition lessons, and I gained a better sense of articulation and phrasing. This book recognizes that orchestrating with sequencers and samples is a new method of orchestration that combines the European tradition with the skills of audio production and digital synthesis. Morph something often enough and it becomes its own thing.As for the down side, I'm not all that bugged by the sloppy editing and the quickly out-of-date info. In my opinion, the inclusion of a section on "traditional" orchestration is unnecessary and limiting. Why bother with a section on orchestration when the subject has been done so many times before? A really interesting question is, how do orchestrations based on samples sound different from something played live? Samples sound unique, so in addition to the art of trying to make a sample-based orchestration sound like a live recording, shouldn't we also be concerned with how we can make them sound different? I liked the bit about the difference in sound quality between first and second violins. Why not also factor in odd instrumental combinations, or unusual uses of effects?I guess my main complaint is that, more often than not, when an author begins to talk about orchestration they are only referring to the European tradition and very little else. While the first 93 pages of this book are dedicated to the standard instruments of a European orchestra, only a couple of pages are dedicated to "ethnic" percussion later in the book. Frankly, I think this is appalling, though I suppose I should be used to it by now. The truly fascinating thing about sample-based composition is that one person can create convincing parts for uillean pipes, djembe, kora, gamelan, distorted electric guitar, etc. without the logistical concerns of needing to find someone who owns the instrument and plays it well enough. In addition, since orchestras are not available to most composers and are usually fairly conservative in their preferences, sample-based orchestration is just about the only place we can hear all of these instruments and their respective musical styles combined with the sound of an orchestra. Even if the author is open to a wide variety of sounds and textures and approaches to playing and composing music, this first section of the book kills it for me. There is a lot of excellent information that I can only get from a long-time professional, but the way that orchestration is defined in this book is too limiting for my taste.

When I first received this book I was disappointed by it. The first things I noticed where: 1) it does NOT provide a comprehensive introduction to orchestration (as another reviewer said); 2) almost half of the book consists of the author's opinions -- which are overwhelmingly positive -- of various softwares and sample libraries (information that is freely available on the internet and which is certain to be outdated quickly and which I don't want on my bookshelf and certainly don't want to pay for!) and 3) the book stank to high heaven when I got it, thanks to the chemicals used to print it in low quality hi-gloss color. Every time I touched it I felt like I had to wash my hands, as if they were covered in bleach or some other odious chemical.So I contacted the publisher, asking if I could return the book. The publisher at first refused, saying that I hadn't ordered the book through them, so there was nothing he could do about it. But then I got a very nice letter from the author, offering a refund if I was dissatisfied with the book.BUT....by then...in the midst of a film scoring project, I'd turned to the book and found it useful.There are many little tips in this book that are helpful, inspiring, or both.(Also, the chemical stench is starting to wear off.)So I decided to keep it.This book is aimed at folks who want to use software samplers to emulate orchestras in pursuit of the Hollywood sound. The author obviously has a great deal of experience and does have a number of interesting ideas about how to use software samplers to create soundtracks.If you want/need brief introductions to the various intsruments of the traditional orchestra, that's here. If you want to write film scores but don't really want to bother with a book like Adler's guide to orchestration, this book can serve as a useful, though extremely basic, introduction to general orchestration principles.But really, the book is focused on a specific kind of orchestration: the big Hollywood sound. As such, I find it useful, for 2 reasons: 1) there will always be clients who want that and 2) you have to know what the rules are before you can break them, and for better or worse, that 'Hollywood' sound rules the mainstream roost.IN SUMMARYThe author is very nice, generous and knowledgeable.The endless and endlessly glowing reviews in the book are annoying, but there are good advices to be had from this book.There is absolutely no reason for this book to be 700 pages, or printed in glossy color. A 300 pagepaperback in black and white, minus the software reviews, would be better.It is not a detailed introduction to orchestration. Adler's orchestration book is much more thorough.I'd prefer a book on this very specific subject -- using MIDI to imitate Hollywood orchestras -- that's half the size and half the price, but if you want to learn this material and eighty dollars doesn't seem like a lot of money to you, give it a shot. You may want to contact the publisher before orderingre: their return policy if you have any thought that you might want to return the book, as there seems to be some confusion on their end.

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Download Sound Innovations for Concert Band, Bk 2: A Revolutionary Method for Early-Intermediate Musicians (Baritone T.C.), Book & Online Media

Download Sound Innovations for Concert Band, Bk 2: A Revolutionary Method for Early-Intermediate Musicians (Baritone T.C.), Book & Online Media

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Product details

Series: Sound Innovations for Concert Band (Book 2)

Paperback: 48 pages

Publisher: Alfred Music; Pap/Com/Dv edition (May 1, 2011)

Language: English

ISBN-10: 0739067575

ISBN-13: 978-0739067574

Product Dimensions:

12 x 0.2 x 9 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

27 customer reviews

Amazon Best Sellers Rank:

#1,373,001 in Books (See Top 100 in Books)

This was the required book for my daughter’s saxophone lessons for band at our school.I play sax myself - it’s a nicely organized book with a plan that allows for progressive difficulty. It builds on skill and technique as a student moves from one lesson to the next. I would recommend it.

School required book.There is nothing special about this versus other techniques books for the most part.If you aren't required to get this for school, stick with the Granddaddy of techniques: Arban's

I purchased this book for my grandson. He plays the tuba, and none of the music stores in town had this book. Well, they all had it... But not for tuba. I tried every store from Tacoma to Seattle... Nothing. I was so glad when I found it on Amazon! It was $2 less than anyone locally wanted, and it arrived a week sooner than I could have got it if I'd had a local store order it in. Plus, I didn't have to drive to the store! Do yourself a favor and just buy it here. You'll be glad you did.

Just what my child needed for school and shipped fast and a decent price.

Correct book for class at school

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My child needed this for band. We couldn't find it anywhere, locally or otherwise. Amazon had it to us before lessons started, while others in the band were still waiting.

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Ebook Download Transforming School Culture: How to Overcome Staff Division (Leading the Four Types of Teachers and Creating a Positive School Culture)

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Review

"Historically, schools have been bombarded by efforts designed to improve the system in place. These efforts are usually disguised as a new project or program. They usually fail! Teachers see them as a storm that will blow through rather than a long-term and fundamental climatic change. Anthony Muhammad, in Transforming School Culture, Second Edition, has not only shined a light on why such change efforts rarely work -- due to ignoring a school's culture -- but has gone on to describe how school leaders can and should address sustainable cultural change. A must read!" --Lawrence W. Lezotte, Educational Researcher, Consultant, and Speaker; Effective Schools"Anthony Muhammad has crafted a superb new edition of Transforming School Culture, adding meaningful, relevant, and insightful new examples, practical wisdom, and important ideas. Initially providing a portrait of the contemporary educational context, he then turns to an in-depth and engaging look at the cultures of schools. Using case examples and clear descriptions of teachers and school cultures, he provides a rich analysis of school leadership and strategies to transform cultures. This is a book to be read and absorbed by any school leader desiring to shape strong, positive cultures." --Kent D. Peterson, Emeritus Professor, University of Wisconsin-Madison"As we've come to expect, Dr. Muhammad is unflinchingly unapologetic regarding the hard truths of school culture. But, once again, he separates himself from so many who take the stage, admire the problems, and offer no solutions. Dr. Muhammad both diagnoses and prescribes. No magic bullet or easy fix, but hope in the form of choices that will shift our paradigms and create transformational results. As he did with the first edition, this second edition of Transforming School Culture awakens you, demands your attention, and then hits you where you live." --Kenneth C. Williams, Author, Speaker, and Consultant; Unfold the Soul "The second time around is better than the first. Dr. Muhammad has done it again by reminding us in powerful, impactful ways that a positive school culture is where any type of school success starts. As someone who works with districts across the country in being culturally responsive, I believe this book provokes thought, reflection, and action for the adults to be better so the students can be their best." --Sharroky Hollie, Author and Executive Director, Center for Culturally Responsive Teaching and Learning, Los Angeles, California

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About the Author

Anthony Muhammad, PhD, is a much sought-after educational consultant. A practitioner for nearly twenty years, he has served as a middle school teacher, assistant principal, and principal and as a high school principal. His Transforming School Culture approach explores the root causes of staff resistance to change. Anthony's tenure as a practitioner has earned him several awards as both a teacher and a principal. His most notable accomplishment came as principal of Levey Middle School in Southfield, Michigan, a National School of Excellence, where student proficiency on state assessments more than doubled in five years. Anthony and the staff at Levey used the Professional Learning Communities at Workâ„¢ process for school improvement, and they have been recognized in several videos and articles as a model high-performing PLC. As a researcher, Anthony has published articles in several publications in both the United States and Canada. He is author of The Will to Lead, the Skill to Teach: Transforming Schools at Every Level, Overcoming the Achievement Gap Trap: Liberating Mindsets to Effect Change, and a contributor to The Collaborative Administrator. To learn more about Anthony's work, visit New Frontier 21 (newfrontier21.com), or follow him on Twitter @newfrontier21. To book Anthony Muhammad for professional development, contact pd@SolutionTree.com.

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Product details

Perfect Paperback: 192 pages

Publisher: Solution Tree Press; 2nd edition (July 25, 2017)

Language: English

ISBN-10: 1945349301

ISBN-13: 978-1945349300

Product Dimensions:

6 x 0.5 x 8.9 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#23,297 in Books (See Top 100 in Books)

We used this book as a mini-book study to bring culture into our planning for the upcoming school year. It was amazing how many of our schools and teams within the schools could relate. Really, this book could impact any team and their culture whether in education or not.

Great book for any current or future school leader. When tough subjects are discussed there is no effort made to sugar coat the truth, i.e. race to the top and NCLB are arguably the worst programs to drive school change in history.

Very helpful book, but I wish there was more concerning the fundamentalists in an organization.

I bought it for a class. It was very useful.

Great book

A must read for the growth mindset individual or campus. The relationships which feed the culture on our campus are everything. Be part of the solution, not part of the problem.

Eye opening way of categorizing staff and how they can change school culture for better or worse. The way teachers believe both in their own effectiveness and in students ability to learn is always the key factor.

Good practical guidelines from a practitioner.

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